AS & A LEVEL MEDIA STUDIES - DYANDRA MULYADI
Tuesday, 12 November 2024
Wednesday, 6 November 2024
Location Scout & Risk Assessment
Here is our teams location scout & risk assessment. This blogpost is made by me (Rara) & Kalista
Song Research
Here we will look in detail at our song choice "The Weekend" by BIBI & 88rising released in 2021. This blogpost is created by me (Rara)
The Weekend - BIBI
Classwork: Stardom
Here is a summary of a theory we learnt at class today with our Media Studies teacher (Mr Nick).
It’s about the Theory of Stardom by Richard Dyer which helped us build our star’s image for our music video project. This blogpost is summarized by Rara and Audrey, however some of the celebrity research was done by Kalista and Chelsea as well.
Richard Dyer’s theory suggests that celebrities are constructed by media institutions to attract their target audience and promote their product. The celebrities are portrayed as a mix of relatable qualities (to appear ordinary) and unique traits (to appeal to fans). It focuses on how the image of the star is vital to the marketing to build both commercial success and a deep emotional connection with fans.
Celebrities are appealing due to 5 main reasons:
Love: We are fascinated with the love lives of the stars, can also feel a romantic affiliation with them
Ordinariness: We like to see them doing routine things, living normal lives just like our own
Success: We like the idea of overnight success, and failure before success. This appeals to our
sense of fair play. (Why we like reality TV so much)
Consumption: We are fascinated by the huge material wealth brought by media success. Not just
luxury homes and cars, but also strict dietary regimes set by expensive nutritionists, holidays etc.
Dream turned sour (downfall): fascination with the exploitation of their misery
Storyboard
Here is my teams storyboard created by Chelsea & Audrey
Screen test
To find a star for our music video we need to conduct a screen test. Here is a video of our class's group audition. This blogpost is created by me (Rara) & Chelsea
Below is the video of our class's group audition. We did this as a class, where we all simultaneously acted & lip synced to the song, "Don't Stop Me Now" by Queen. Although this song (rock) does not fit with our genre (pop), we chose this song because the lyrics were familiar and the song overall was quite upbeat (matching many of our chosen songs).
Classwork: Technical Elements
Here I will summarise the technical elements I learned during class (most of the material are taught by the teacher). This blogpost is written by me (Rara) and Audrey
4 main technical elements:
-> camera
-> sound
-> edit
-> mise-en-scene
Camera
Camera angles and movements are fundamental as it shapes interpretation on how the story is told and how the audience experiences it. Every shot taken builds up an implied meaning to direct the audience’s response (emotionally).
Camera angles
- Long shot: Main subject is captured from a distance with their body fully visible. This shot is usually used to show action.
- Extreme long shot: Captures the subject from a greater distance to make the subject appear small. This shot is usually used to showcase insignificance or isolation of the subject due to the comparison between the small subject and vast setting.
- Establishing shot: Shows the entirety of the setting which gives a context on the location to the audience. Frequently used in the beginning of a scene.
- Medium shot: Captures half of the subject (from the waist and upwards). This shot is commonly used for dialogues which shows and focuses on both facial expressions and body language.
- Cowboy shot: Cowboy shots are usually taken on a lower angle and frames the subject from mid-thigh upwards, the subject usually appears bold and confident. This technique is usually used in action movie characters.
- Close up: Captures the entire face (head) of the subject emphasizing on the facial expressions and emotions of the subject. This detail creates an emotional connection for the audience.
- Extreme close up: Captures an even closer focus on a specific detail. The shot usually connotes that the subject is important as it creates tension.
- POV: Captures the events/scene in the eye of a subject and makes it appears as if the audience is experiencing what the subject is. Usually creates a bond between the audience and the character, evoking a sense of empathy.
- Over the shoulder: Captures a subject from over another character’s shoulders. This shot is frequently used for conversations.
- High angle: Camera is placed above the subject and is tilted downwards which makes the subject appear smaller and vulnerable. Connotations: Weak and vulnerable.
- Low angle: Positioned below the subject and is tilted upwards which makes the subject appear larger. Connotations: Power, dominance, and control.
- Dutch angle: Tilted sideways which creates a vertigo-like effect to create a sense of uneasiness from the audience.
Camera Movements
Fixed | Camera remains static | Calm, peace, normal |
Push in | Camera moves slowly toward subject | Brings the audience closer, more involved, getting more serious. |
Pull out | Camera moves slowly away from subject | Takes audience away from the action, leaving a character. Detaching from subject |
Pan | Side to side, camera fixed | Reveal information, mirrors natural head movement of the audience. |
Tilt | Up and down, camera fixed | Same as pan, just a different direction |
Dolly | Camera moves around freely | More immersive, we are moving inside the subjects world, we feel part of the action |
Tracking | Camera moves around on tracks | Similar to dolly, but smoother. |
Crane | A tool that can move camera horizontally and vertically | Reveals the epic size of the setting, landscape. |
Handheld | Camera is shakey | Very natural, immersive. High energy |
Zoom | Zoom | Brings audience closer to budget. Draws our attention to something. |
| Effect | |
Diegetic sound | Sound that can be heard by the characters within the media text. | Add a sense of realism. Reveal information to characters (and then audience) |
Non diegetic sound | Sound that can only be heard by the audience. | Enhance meaning, create an emotional response in the audience |
Trans diegetic sound | Sound that transitions from one to the other. | Creates a link between the audience and the world. More immersive |
Description | Effect | |
Melodic | Positive and pleasing connotations | Enhances a positive scene. Create positive emotions in the audience. |
Discordant | Harsh and unpleasant connotations. | Enhance negative scenes. Create suspense, tension, anxiety |
Contrapuntal | Has an opposite tone to the on-screen visuals. | Adds deeper meaning to scenes. Insight into the character's thoughts. Maybe they seek pleasure in doing bad things. |
Binary Opposites - Levi Strauss
We all understand the world in terms of opposites. It is the conflict of these opposites that drives a narrative forward. The winner is often the ideology of the producer.
Cultivation Theory - George Gerbner
Exposure to media over time will reinforce existing ideologies. People will choose to consume media that already agrees with their opinions.
Desensitisation (Compassion Fatigue)
Occurs when an audience is repeatedly exposed to shocking or violent content. They become less compassionate about what they are seeing anbd the events become 'normalised'
Five Narrative Codes - Barthes
- Hermeneutic Codes - Enigma, deliberately withheld information to create mystery
- Proairetic Codes - Action, plot points that move the story forward
- Semantic Codes - Connotation, Codes that have a deeper meaning than their denotation
- Symbolic Codes - Thematic or structural devices. Aided by Binary Opposites.
- Cultural Codes - Prior knowledge to help the reader decode all of the signifiers correctly.
Genre Theory - Steve Neale
Genre is a matter of repetition and difference. A text must conform to the conventions enough to be recognisable, yet subvert them enough to be different and interesting. This is to:
1) Provide pleasure and meaning for the audience.
2) Offset against financial risk
Genre is useful because it gives the audience expectations, provides a template for the producers, and provides distributors with an audience to target.
Hypodermic Needle Theory
Not really considered a working theory any more. The belief that the audience is a sponge, and accepts any message from the media without any question.
Reception Theory - Stuart Hall
Media producers encode their texts with meaning. The audience decodes the text to understand meaning. However, all audiences are different and so receive the message differently. (Preferred, Negotiated, Oppositional)
Representation Theory - Stuart Hall
Media does not reflect meaning, media creates meaning.
Stereotypes are used as a result of a lack of diversity in production.
Meaning is created by hegemonic groups (rich, white, straight men) in order to maintain power.
Social Learning - Albert Bandura
After consuming media, the audience might go on to repeat what they have seen (in particular violent acts). Bandura admitted that there may be other processes that contribute to behaviour)
Two-Step Flow
A development of the hypodermic needle theory. The media is untrustworthy, so the audience has their interpretation formed by opinion leaders (trusted members of the community. Think celebrities, influencers)
Uses and Gratification - Bulmer & Katz
The audience is actively using the media to satisfy some of their base social needs;
- Diversion - A form of escapism from the stresses of everyday life
- Personal Identity - The media supplies us with role models
- Social Relationships - 1) People make connections with people they see on screen. 2) People can build their own social relationships
- Surveillance - People use the media to inform themselves about the world around them.
Notes during class
Lyric Sheet
Here is my teams lyric sheet for our music video. This blogpost is created by Chelsea
At the beginning we all have various perspectives and thoughts, which leads to some misunderstandings and uncertainty. Audrey and I imagined the music to be angsty in terms of mood, and the star will radiate the vibes of a stargirl (confident, bold, and unconcerned about what others say), dressed in bold colours like red and black and wearing heavy makeup. Meanwhile, my other teammates, Rara and Kalista, thought the entire music video would feature a sweet, vulnerable, innocent-looking star wearing white or light-colored clothes and light makeup, which contrasted my and my other teammates' ideas.
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